Saturday, September 25, 2010

Testing Hope - Grade 12 in the New South Africa

The South African government struggles to remedy inequity and substandard education. Minimize ... DOCUMENTARY: Testing Hope - Grade 12 in the New South Africa ... The South African government has been struggling to remedy years of inequity, particularly regarding substandard education. Testing Hope - Grade 12 in the New South Africa chronicles the lives of young people facing their future in the evolving democracy of South Africa. The film follows four students as they work towards their crucial Matric exams which one student calls the decider. [September 2010 - Colorado Public Television - Find out more about "Testing Hope"]

Watch the full episode. See more RMPBS Specials.

Engaged in What You Love - bell hooks on writing

It's the birthday of writer and activist bell hooks, born Gloria Jean
Watkins in Hopkinsville, Kentucky (1952). Her father was a janitor, and
her mother cleaned homes for white people. She went to a segregated
school until she was 10. ... She said: "Writing is my passion. It is a
way to experience the ecstatic. The root understanding of the word
ecstasy—'to stand outside'—comes to me in those moments when I am
immersed so deeply in the act of thinking and writing that everything
else, even flesh, falls away." [25 September 2010 - The Writer's Almanac]

Saturday, September 18, 2010

Creative thinking to save planet's threatened species

People using their creative energies in the E-Day Ark can help raise awareness of the plight of some of the world's most threatened species, says Matt Prescott, founding organizer of E-Day. In this week's Green Room, he encourages people to get involved to help give biodiversity a voice. ... Do you agree with Dr Matt Prescott? Can collective creative energy help raise awareness of the plight of the planets most threatened species? [17 September 2010 - BBC (UK) - By Matt Prescott - More]

Thursday, September 16, 2010

CREATIVITY NETWORKING: Creativity and Sustainability in Communities ... with Creativity Educator Steven Dahlberg and Community Farmer/Educator David Cherniske

If you are interested in food, "local" and sustainable agriculture, come and explore the symbiotic relationship between creativity and sustainability. Challenge yourself to think in new ways and imagine new possibilities about food, agriculture and the environment. Explore how creative thinking helps us understand systems, connections and alternatives better as we consider what we eat, how we eat, where food comes from and the impact of all of this on the environment. Led by creativity educator Steven Dahlberg, community farmer/educator David Cherniske and additional guests from local food and sustainable farm projects.

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SUNDAY, SEPTEMBER 19, 2010, 2:00-3:30 P.M.
The Silo at Hunt Hill Farm,
New Milford, Connecticut 06776
$10 to Creativity Networking; open to all.
RSVP to: 860.355.0300 or news [at] appliedimagination [dot] org

Please help spread the word about this workshop by printing and posting this flyer:
http://appliedimagination.org/sept2010.pdf
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MORE ABOUT WORKSHOP LEADERS AND CREATIVITY NETWORKING:
  • Steven Dahlberg is director of the International Centre for Creativity and Imagination, which is dedicated to applying creativity to improve the well-being of individuals, organizations and communities. He teaches "Creativity + Social Change" at the University of Connecticut, and leads professional development workshops for educators, nonprofits and businesses. He facilitates creative thinking and problem solving sessions, writes about creativity, and contributes to various media about creativity, imagination and innovation. He currently curates a monthly Creativity Networking series in Connecticut and organizes Imagination Conversations in Connecticut as part of a national initiative of the Lincoln Center Institute. He has worked with Yale University, Guggenheim Museum, Yahoo!, Americans for the Arts, Danbury Public Schools, World Knowledge Forum, City of Providence, 3M, Aldrich Museum, State of Connecticut, and Rhode Island College, among other organizations. He helped toy inventors launch a creativity consulting business and taught an undergraduate creativity course for incarcerated men. He is particularly interested in creative education, creative community building, local food and sustainable agriculture, and creative aging. Find more at http://www.appliedimagination.org.
  • David Cherniske is a community farmer and educator. He is currently collaborating with middle school students on a garden project at the Pratt Nature Center in New Milford, Connecticut. He has a deep interest in integrating age-old farming practices with cutting-edge thinking about farming, agriculture, land and animals. Find more at http://www.prattcenter.org.
The Creativity Networking Series is presented each month by The Silo at Hunt Hill Farm and the International Centre for Creativity and Imagination, both based in New Milford, Conn. The series provides a forum for exploring the many facets of creativity and for discovering other people interested in creativity.
http://www.appliedimagination.org
http://www.hunthillfarmtrust.org

Tuesday, September 14, 2010

Sir Ken Robinson to be First Guest on 'Creativity in Play' Radio Show

We are pleased to announce that Sir Ken Robinson will be the inaugural guest on the new Creativity in Play online radio show, which will debut at noon Eastern Daylight Time (-4 UTC) on Thursday, September 23. Hosts are Steven Dahlberg (International Centre for Creativity and Imagination) and Mary Alice Long (Play=Peace). Sir Ken will also be part of the opening session with Daniel Pink at the Creativity World Forum on November 16, 2010, in Oklahoma City. Creativity in Play is produced by the International Centre for Creativity and Imagination, in partnership with the National Creativity Network. [14 September 2010 - International Centre for Creativity and Imagination - More]

Monday, September 13, 2010

Creativity, Culture and Innovation: finding new links

The very dynamic culture sector, the cultural and creative industries in particular, generates and stimulates considerable potential for creativity which makes it an important actor for meeting the challenges with which the European Union is confronted today. Within the context of the implementation of the “EU 2020” strategy, the goal is to highlight and promote the considerable potential of the cultural and creative industries. The colloquium (8 September 2010 to 9 September 2010) will focus on the innovative aspect of the sector. Cultural and creative industries are gradually being recognised as essential contributors to innovation. The goal is to now create an environment in which these industries can develop their potential to its fullest. It will be a matter of, on one hand, demonstrating that innovation plays a significant part in the development of the cultural sector and that, inversely, culture is a major asset for innovation. In addition, and based on this observation, the goal will be to provide potential ways to develop the cultural and creative industries. Special attention will be paid to the self-employed, micro-enterprises and to small and medium enterprises which guarantee cultural diversity and play a determinant role in the development of the cultural and creative sectors. [September 2010 - The Belgian Presidency of the Council of the European Union - More]

Commentary: On Child-Driven Education

By Teley Quarshie
Creativity + Social Change, University of Connecticut
Media Reviewed:
TED - July 2010: Sugata Mitra: The Child-Driven Education
Sugata Mitra tackles one of the greatest problems of education -- the best teachers and schools don't exist where they're needed most. In a series of real-life experiments from New Delhi to South Africa to Italy, he gave kids self-supervised access to the web and saw results that could revolutionize how we think about teaching.



Commentary:
I logged onto Ted.com and clicked inspiring and ingenious and on one of the pages, the title "The child-driven education" stuck out to me. Children are the most creative and alive. Full of thoughts, ideas, eagerness. Education is a huge issue in this world, yet such a tool to change one's social-economic status. He has found the “child-driven” solution to education though children, along with the help of technology that is everywhere. A little strange that there is high-speed Internet in these Indian and African villages walls. Yet we all walk around with mini-computers in our pocket or on our ear. Society is very technologically driven. The global world connects via the Web. Teaching is a profession respected by many but very underpaid. Leaving teachers to pick and choose and neglect where the money is close to nothing. Leaving the children to teach themselves.

He is using the creativity that the child has to figure out problems. He questions machines they’ve never used and in languages they are unfamiliar with. It's also a very creative way to educate. Yes, it would be best if these children where in the classroom learning with a teacher and a desk ... but in this case, this is all they have and they should be lucky to be apart of such a study.

By working together to figure out the answers, they are processing the information more to find a solution instead of on their own. Makes you wonder if people should be taught in groups, not one on one. You vs. the paper. Open education seems like a better way for people to learn. Yes, there may be that person who really doesn’t know the answer or how to solve it, but by being apart and paying attention they will figure out why whatever it is is such. (That was a side thought I just discovered thinking about the children working together.) I feel working together is a better guide for how to work in a professional social community. We spend our whole lives in school progressing on our own. Maybe we wouldn’t loose so many students if it was a group effort. If we all succeed, the better off we can make things on a larger, societal level. Thinking not for just the "Me" but the "We."

Children love to learn, but not all the same way. If they learn how to learn outside of the box, they will be able to think and know outside the box. Creativity and innovative ideas will follow. I consider open environments with some structure the best support for such learning styles. The idea of the "grandmother" is brilliant. All grandparents do is love and encourage. Having someone like that there, but actually not there, while still being surrounded by your peers seems to be a great idea to the world's grim education issue. A lot of money is needed, but not much help. People are needed to help. The outcome can only benefit us as a society. Sugata Mitra's creativity is creating tomorrow's creative minds.

Tuesday, July 27, 2010

The Creativity Crisis ... Explored

Stay tuned in the coming days for my new online radio show, Creativity in Play, co-hosted with play expert Mary Alice Long and produced in partnership with the National Creativity Network. First guest on deck ... Po Bronson, co-author of the Newsweek article, "The Creativity Crisis."
UPDATE: Po Bronson has cancelled. Sir Ken Robinson will be the first guest on September 23, 2010, at noon Eastern.

U.S. House Designates "Arts in Education Week" in September

[27 July 2010 - Americans for the Arts] Yesterday, the U.S. House of Representatives passed H.Con.Res. 275, legislation designating the second week of September as "Arts in Education Week." Authored and introduced by California Representative Jackie Speier (D-CA), this resolution is the first Congressional expression of support celebrating all the disciplines comprising arts education. This is a very positive showing of support for arts education and comes at a key time when Congress is making plans to overhaul federal education policy. Take two minutes to send a message of support for arts education to your member of Congress! The resolution seeks to support the attributes of arts education that are recognized as instrumental to developing a well-rounded education such as creativity, imagination, and cross-cultural understanding. H.Con.Res. 275 also highlights the critical link between those skills and preparing our children for gaining a competitive edge in the global economy. This is an important message for policy makers to acknowledge as they prepare to reauthorize federal education policy. To send a message to your member of Congress in support for arts education, please visit our E-Advocacy Center.  As a House resolution, the bill does not require signature by the President upon its passage. You can read the resolution here.  We salute Rep. Speier and the more than 101 original cosponsors for their support of arts education and for this truly special recognition of the value of culture for our country's students. Americans for the Arts was happy to help provide assistance to Rep. Speier in this endeavor.

Wednesday, July 7, 2010

Manifesto for Creativity and Innovation

By James D. Mazerall
Nonprofit Studies Program, Rhode Island College
Providence, Rhode Island


The world is moving to a new rhythm. To be at the forefront of this new world, the United States needs to become more creative and innovative. To be creative means to imagine something that didn’t exist before and to look for new solutions and forms. To be innovative means to introduce change in society and in the economy. Design activities transform ideas into value and link creativity to innovation.

In order to progress, the United States needs increased investment – both private and public – in knowledge. Moving ahead with wisdom requires respect for history and the cultural heritage. New knowledge builds upon historical knowledge, and most innovations are new combinations of what is already there. Culture, with its respect for individual and collective memory, is important to maintaining a sense of direction in the current context of restless change.

Creativity is a fundamental dimension of human activity. It thrives where there is dialogue between cultures, in a free, open and diverse environment with social and gender equality. It requires respect and legal protection for the outcomes of creative and intellectual work. Creativity is at the heart of culture, design and innovation, but everyone has the right to utilize their creative talent. More than ever, the United States' future depends on the imagination and creativity of its people.

The economic, environmental and social crises challenge us to find new ways of thinking and acting. Creativity and innovation can move society forward toward prosperity, but society needs to take responsibility for how they are used. Today, they must be mobilized in favor of a fair and green society, based upon intercultural dialogue and with respect for nature and for the health and well-being of people worldwide.

To create a more creative and innovative United States, open to the rest of the world and respectful of human values, the following manifesto is presented, which sets out priorities and recommendations for action. The need for change and a new initiative is urgent. The United States must give full attention to creativity and innovation now in order to find a way out of the current stalemate.

Manifesto
  1. Nurture creativity in a lifelong learning process where theory and practice go hand in hand.
  2. Make schools and universities places where students and teachers engage in creative thinking and learning by doing.
  3. Transform workplaces into learning sites.
  4. Promote a strong, independent and diverse cultural sector that can sustain intercultural dialogue.
  5. Promote scientific research to understand the world, improve people’s lives and stimulate innovation.
  6. Promote design processes, thinking and tools, understanding the needs, emotions, aspirations and abilities of users.
  7. Support business innovation that contributes to prosperity and sustainability.

Lines of Action
The following lines of action require a new understanding of public policy. The United States government needs to engage in change together with social partners and grassroots movements. Shared visions and initiatives that cross traditional policy areas are needed in order to deal with current ecological, social, cultural, security and political deficits. Focusing upon creativity and innovation is a key to opening dialogues that cross historical political divides.

Action 1: Invest in knowledge
In order to strengthen the competitiveness of the United States, new budgetary principles that give high priority to investments in people and knowledge are necessary. In the short term, unemployed workers should be offered a chance to upgrade their skills. Business, trade unions and governments should work together in organizing the upgrading of workers’ skills through public and private funding. The scale and ambition of the educational funding must be expanded, be focused upon investment in research and knowledge and linked to building institutional frameworks that support learning in working life.

Action 2: Reinvent education
Schools and universities need to be reinvented in partnership with teachers and students so that education prepares people for the learning society. Retrain teachers and engage parents so that they can contribute to an education system that develops the necessary knowledge, skills and attitudes for intercultural dialogue, critical thinking, problem-solving and creative projects. Give a strong emphasis to design in education at different levels. Establish a major country-wide research and development effort on education to improve quality and creativity at all levels.

Action 3: Reward initiative
People that take new initiatives in business, the public sector and civic society should be rewarded. Social policies can contribute to innovation by sharing risks with citizens who engage in change. Artists, designers, scientists and entrepreneurs who contribute with new ideas should be rewarded. Prizes for excellence should be combined with legal protection of intellectual property rights and strike a balance between creating fair rewards and promoting knowledge-sharing.

Action 4: Sustain culture
Capacity-building in the cultural sector should be supported through national programs and mechanisms in order to sustain cultural diversity, independence and intercultural dialogue. Creative industries should be promoted by building new bridges between art, philosophy, science and business. The development and use of new media should be stimulated through raising the quality of the content. New economic models must be developed to finance free, diverse, independent and high-quality digital news media.

Action 5: Promote innovation
There is a need for a more ambitious and broad-based innovation policy. Increased investment in science, technology and design should be combined with efforts to increase the demand for knowledge. Firms should be stimulated to combine scientific knowledge with experience-based knowledge. They should be encouraged to increase diversity among employees in terms of gender, education and nationality. The education of engineers, managers and designers should mix theoretical education with practical experience. Innovation policy as well as labor market and education policy should aim at mobilizing users and employees in processes of change. Developing and implementing broad innovation policy strategies must be a major concern for political leaders.

Action 6: Think globally
The United States should be at the world-wide forefront in terms of science, culture and competitiveness. Collaboration within the United States in science, technology, education, design and culture needs to be further opened up to the rest of the world. A competitive United States should develop economic collaboration both with the strong, new emerging economies and with the poor countries most in need of support. Promoting innovation in poor countries is a moral obligation and it reduces the pressure of immigration. The United States should contribute to the establishment of fair rules regarding the protection and sharing of knowledge at the global level.

Action 7: Green the economy
The United States must mobilize creativity and innovation to transform itself into a post-carbon society. A key element is eco-innovation and the establishment of a "new techno-economic trajectory" starting from "end of pipe" solutions, moving through "clean technologies" and ending with "system innovations" that radically transform production, distribution and consumption. Investments need to be combined with new institutions, new regulation and new habits. Creativity is the major tool to find solutions that combine sustainability with prosperity.