Showing posts with label artists. Show all posts
Showing posts with label artists. Show all posts

Wednesday, October 19, 2011

Artist Lily Yeh on Using Art to Transform and Build Community

This week for the Fall 2011 Creativity + Social Change class, we read "Warrior Angel: The Work of Lily Yeh" by Bill Moskin and Jill Jackson, a paper on hartist/activist/educator Lily Yeh's methodology of using art to transform and build community. Below is a presentation by Lily Yeh at the Bioneers conference, where she spoke about and shared examples and pictures of her work. She has a new book out, as well, called Awakening Creativity: Dandelion School Blossoms, which documents her methodology as implemented at the Dandelion School in Beijing, China, a school for the children of migrant workers. I am honored to be interviewing Lily on Creativity in Play at 12 p.m. EDT on Thursday, November 10. Listen live or download the podcast after it airs.

Video streaming by Ustream

Tuesday, April 13, 2010

Imagination Conversation Set for Connecticut, April 19 in Hartford

CONNECTICUT TO EXPLORE CRITICAL ROLE OF IMAGINATION AS KEY TO FLOURISHING SOCIETY ... Connecticut Imagination Conversation is Part of 50-State Effort to Raise Awareness of Imagination: Why It Matters and How to Develop It in Our Lives and in Our Communities.

On April 19, 2010, the International Centre for Creativity and Imagination and the University of Connecticut, in affiliation with Lincoln Center Institute for the Arts in Education (LCI), will hold an Imagination Conversation at 7:00 p.m. at the University of Connecticut Greater Hartford Campus.

The Conversation will bring together leaders from an array of fields -- government, business, science, education, and the arts -- to explore the ways they experience and promote imagination in their work and communities. The goal of the Conversation is to present imagination as a key cognitive capacity, one that leads to creativity and innovation; and to help build awareness of imagination as a key skill in work and in life.

It is LCI's contention, as well as that of numerous scientists, government leaders, and educators, that imagination must be taught to children in our schools and nurtured in our communities. Applying imagination is crucial if Americans are to not only compete in the 21st-century marketplace, but create positive, flourishing communities that continually engage every citizen's creativity, imagination and ideas.

The Imagination Conversation will be in the auditorium of the Library Building at the University of Connecticut Greater Hartford Campus, 1800 Asylum Ave., West Hartford, Conn., 06117. The event begins with networking at 6 p.m. and the Imagination Conversation at 7 p.m. More details, along with parking and registration information, are available at:
http://www.appliedimagination.org

The Imagination Conversation is open to the public and will be recorded for broadcast on WNPR's Where We Live on Friday, April 23, at 9 a.m. WNPR's John Dankosky will moderate the Conversation with guests Steven Dahlberg and Scott Noppe-Brandon. Dahlberg is head of the New Milford, Conn.-based International Centre for Creativity and Imagination (ICCI) and teaches "Creativity + Social Change" at the University of Connecticut. Noppe-Brandon is executive director of Lincoln Center Institute and author of "Imagination First: Unlocking the Power of Possibility." Artists John O'Donnell and Ted Efremoff will visually map and document the Conversation while it happens. Students from the "Creativity + Social Change" class, invited participants from diverse sectors across the state, and the general public will also be involved in the Conversation.

This Conversation will focus on the role of imagination in education, creative community and economic development, and creative leadership in organizations. It seeks to build a relevant imagination-fueled agenda for the state to pursue. ICCI will coordinate follow-up action that emerges from this conversation, as well as additional future conversations.

“Creativity and imagination matter in every aspect of society,” says Dahlberg. “Imagination matters for engaging students and teachers in meaningful education. It matters for bringing new ideas into reality to improve the economy. And it matters for helping people express their creative capacities in their work and their communities. We hope to help connect people who want to tap into more of their imagination and apply it for creating positive change across this state.”

Imagination Conversations are expected to take place during the next two years in each of the 50 states. All of the Conversations will be documented and final proposals for nationwide educational reform will be made at a national Imagination Summit in New York in the summer or fall of 2011. At the Summit, Imagination Conversation findings and an action agenda will be presented to public policy makers, educators, legislators and the media in an effort to make cultivation of imagination a key element in our schools.

"Imagination can be described as having the ability to visualize new possibilities and the ability to ask, 'what if ...?'" says Noppe-Brandon. "Developing students' imaginations and teaching them to proceed from imaginative thinking to creative action is vital if they are to meet the challenges of today's world. If the United States is to maintain its position at the vanguard of innovation, it needs a workforce capable of finding fresh solutions to challenges and inventing groundbreaking products and services. LCI understands that imaginative learning in schools will produce such a population."

ICCI is dedicated to applying creativity to improve the well-being of individuals, organizations and communities. It promotes imagination and creativity through public events such as the monthly Creativity Networking series; professional development training for educators and business people; advocacy for creativity topics in local, national and international conferences; dissemination of creativity ideas through writing and commentary in various media; and teaching and guest lecturing at various universities.

The University of Connecticut's Bachelor of General Studies Program encourages imagination, collaboration and democratic participation through its Public and Community Engagement-themed courses in Storrs and Hartford and online.

Having recognized the global importance of imagination early on, LCI has established itself as a leader in the implementation of a method by which imagination is introduced into classrooms and used across the curriculum. Through the hands-on study of works of art, students develop their capacities to think imaginatively and critically, which serve them in all subject areas. With its programs reaching an estimated 390,000 students per year through its partnerships with schools across the U.S. and abroad, LCI is making an impact on the direction of education not just in New York but all over the world.

ABOUT THE HOSTING ORGANIZATIONS:
About Steven Dahlberg and the International Centre for Creativity and Imagination:
Steven Dahlberg is director of the International Centre for Creativity and Imagination, which is dedicated to applying creativity to improve the well-being of individuals, organizations and communities. He teaches "Creativity + Social Change" in the Public and Community Engagement theme at the University of Connecticut. He has nearly 20 years of experience in this field, and has worked with Yale University, Guggenheim Museum, Yahoo!, Americans for the Arts, Danbury Public Schools, UNESCO, Louisiana's Office of the Lt. Governor, New Economics Foundation, Connecticut Commission on Culture and Tourism, World Knowledge Forum, City of Providence, 3M, Aldrich Museum, State of Connecticut, and Rhode Island College, among other organizations. He has helped toy inventors launch a creativity consulting business, directed an international creativity conference, and taught an undergraduate creativity course for incarcerated men. Dahlberg edits the Applied Imagination blog, authored the foreword to the book, Education is Everybody's Business. He is particularly interested in creative community building, creative education, local food and sustainable agriculture, and creative aging.

About Lincoln Center Institute (LCI):
LCI is the educational cornerstone of Lincoln Center for the Performing Arts, Inc., and is the model for arts education programs across the U.S. and abroad. Founded in 1975, the Institute is known for its inventive repertory, and brings music, dance, theater, visual arts, and architecture into classrooms in the New York City area, across the nation, and around the world. In more than three decades of outreach, LCI's approach has reached more than 20 million students, teachers, administrators, parents, community members and professors of education worldwide. The number is projected to increase in the next few years, thanks to LCI's highly successful professional development programs and Internet presence.

Tuesday, March 23, 2010

Commentary: On Playing for Change's 'Stand By Me'

By Josefina Tiburcio
Creativity + Social Change, University of Connecticut
Media Reviewed:
Playing For Change: Episode 2, "Stand By Me"
Four years ago while walking down the street in Santa Monica, Calif., the voice of Roger Ridley singing “Stand By Me” was heard from a block away. His voice, soul and passion set us on a course around the world to add other musicians to his performance. This song transformed Playing For Change from a small group of individuals to a global movement for peace and understanding. This track features more than 35 musicians collaborating from all over the world. They may have never met in person, but in this case, the music does the talking.


Commentary:
This class is about exploring “Creativity and Social Change,” which is why the video, “Stand By Me,” captured my attention from the minute I watched it. The people that had the bright idea of putting this video together are very creative and are making positive social changes in society, as well as in communities all over the world. Furthermore, the name of their Web site speaks for itself -- Playing for Change.

Based on what I experienced when I watched this, I strongly believe that the creativity in this video can touch our hearts and possibly awaken the feeling and emotions that many of us hide deep inside of us. It is amazing to see how all of the people singing in the video are connected by the same passion for the music and the sound of the different instruments. Some of them actually make very nice musical sounds with different objects they play -- possibly invented or created by themselves.

The possibility of being connected by similar emotional pains exists. These pains could be caused by different circumstances in life (homelessness, hunger, loneliness caused by separation or loss of loved ones, rejection from society, etc.), but in the end, lead people to feel similar emotional pain as reflected in this video.

Most importantly, this video can impact the viewers in a positive way by making them feel compassion toward other people in society, regardless of their origin, race, color, culture and social class. This compassion for others in society is what we need. It is the tool that can trigger our desires to make a change in the life of an individual, a community, society -- and mainly in ourselves.

For instance, the first person who sings in the video, Roger Riedly, seems to be a homeless person. At the end of the song, people from the community approached his bag and made a contribution. Also, there is a possibility that the doors to the music world open up for one or more people singing and playing in this video, as an individual or company seeking new artists may become interested in them either as a singer or instrument player.

Finally, I think the creative idea of getting all these people from different parts of the world together in a single video is amazing. There is no doubt that creativity can impact our lives a lot in a positive way. Creativity not only help us to be or become creative, but it also helps us to discover the gift of the creative mind some of us already possess, but have not yet discover. At the same time, it help us to better appreciate the ideas and creative thinking of others, as well as realizing that creativity can come from anyone and anywhere. After taking the "Creativity + Social Change" class, the term “underestimate others" becomes history for some or all the students that experience this class.

Wednesday, February 24, 2010

Creative Community: Radar Fourteen: Honey, I Shrunk Red Hook

When curator Laura Arena approached MIT’s Luis Blackaller & Andy Cavatorta, her brief was simple: create something that initiates interaction between the inhabitants of the neighborhood. From the Portuguese fisherman to the Projects, to the artists and hipsters, to a new influx of people, Lucky Gallery sits at the crux of several different communities, none of whom talk, but acknowledge each other as familiar strangers. Luis and Andy’s response was to build a miniature version of Red Hook and populate it with photographic doll versions of people they met and talked to on the street. We join Luis and Andy as they prepare for the opening and watch as the element of play in a virtual world impacts communication in the real one.

Tuesday, January 19, 2010

A Tour of 'Creativity and Social Change' in Society ... Creativity, Music and Change

  • Possibilities Project





  • Playing For Change: The Playing For Change Foundation (PFCF) is dedicated to connecting the world through music by providing resources (including, but not limited to facilities, supplies, and educational programs) to musicians and their communities around the world.






Visit the Playing for Change Web site to check out more collaborative performances.

Sunday, January 17, 2010

A Tour of 'Creativity and Social Change' in Society ... Participatory Public Art