Reconnecting Nature and Culture - Webinar Today

Earthscan invites you to join a free webinar presented by the authors of Biocultural Diversity Conservation and Sacred Natural Sites for an event that explores the important relationship people have with nature and how vital it is for the future of our natural world.

Reconnecting Nature and Culture

• Understand the concept of biocultural diversity
• Learn how to integrate cultural and spiritual values into conservation, tourism and heritage management practices
• Discover how embracing the values of local people can dramatically increase the success of conservation and sustainability efforts, for the benefit of all.

Tuesday 23rd November 2010 17:00 (UK time – GMT), 12:00 (EDT), 9:00 (PDT)
Click here for free registration

Luisa Maffi will introduce the concept of biocultural diversity; and explain the benefits of understanding the linkages between biodiversity and culture for conservation and sustainability. Robert Wild will further the discussion through a focus on sacred natural areas. He will explore the benefits of utilising the connection between these natural areas and cultural values in order to protect landscapes.

• Luisa Maffi is co-author of Biocultural Diversity Conservation, she is a linguist, anthropologist, and one of the originators of the field of biocultural diversity. She is co-founder and Director of the international NGO Terralingua. She is based in British Columbia, Canada.

• Robert Wild is co-editor of Sacred Natural Sites. An ecologist and social scientist with 25 years practical experience of working with communities at protected areas in East Africa, Caribbean, Indian Ocean and Europe. He is chair of the IUCN's Specialist Group on Cultural and Spiritual Values of Protected Areas, and is based in Scotland.

Who should register? Professionals and academics working in the fields of conservation, tourism and heritage management. Can’t make the date? Simply email Rachel.Butler@earthscan.co.uk with Reconnecting Nature and Culture recording in the subject line and we will send you a link to the archived event.
Receive a 20% discount on a book, too: type EARTHCAST into the voucher code box in your shopping cart when ordering any book. For more information, and to view all previous Earthcasts, please visit http://www.earthcasts.co.uk. [17 November 2010 - Earthscan Ltd]

National Creativity Network Launched in Oklahoma City

In conjunction with the seventh annual Creativity World Forum 2010 held in Oklahoma City, November 15-17, the National Creativity Network officially launched at a special meeting with Founding Chair, Sir Ken Robinson, on November 15 from 9:00-11:30 am at the Skirvin Hilton Hotel.

For two years, creativity and innovation leaders in the U.S. have gathered with Sir Ken Robinson and leaders in Oklahoma who began a statewide creativity movement, Creative Oklahoma, linking education, commerce and cultural efforts, in 2006. On November 15, representatives from the states of Wisconsin, New Jersey, Massachusetts, North Carolina, Colorado, Massachusetts, Connecticut and New York joined with Oklahoma leaders to announce the formation of a new National Creativity Network, linking statewide and regional creativity initiatives in the United States.

The National Creativity Network will facilitate the exchange of ideas, share best practices, and encourage collaboration among partnering geographic districts committed to creativity and innovation in America across the three sectors of education, commerce, and culture. Network members are committed to the urgent need in the U.S. to nurture and promote the development and expression of creativity and innovation, in education, in business and in the community; ideas and actions so that America can remain a world leader in innovation, discovery, free enterprise, and learning.

“As the pace of change quickens around the world, many communities throughout America are facing powerful economic challenges. In addition to the recession, they include the decline of old industries and the need to generate new forms of businesses and employment. Patterns of community life also continues to change and evolve, causing social challenges,” explains Sir Ken Robinson, Author of The Element: How Finding Your Passion Changes Everything and Founding Chairman, National Creativity Network.

“To face these challenges, we must develop high levels of imagination. Throughout the country there are many regions that are rising magnificently to these challenges. The purpose of the National Creativity Network is to connect these regions so that they can support and enrich each other's work and promote the vital spirit of economic and social innovation across the whole United States," said Robinson.

The National Creativity Network will be based in Oklahoma City with a national board. Sir Ken Robinson is the Founding Chair and George Tzougros, Executive Director of the Wisconsin Arts Board, is the Board Chairman.

NATIONAL CREATIVITY NETWORK BOARD OF DIRECTORS

Sir Ken Robinson, Founding Chairperson, NCN
International Creativity, Innovation, and Human Resources Consultant
California

Dennis Cheek, Ph.D.
Senior Fellow
Foreign Policy Research Institute
Pennsylvania

Steven Dahlberg
Director
International Centre for Creativity and Imagination
Connecticut

Carrie Fitzsimmons
Executive Director
ArtScience Labs
Massachusetts

Jean Hendrickson
Executive Director
Oklahoma A+ Schools/University of Central Oklahoma

Wendy Liscow
Program Officer
Geraldine R. Dodge Foundation
New Jersey

Susan McCalmont
Executive Director
Kirkpatrick Foundation
Oklahoma

Robert Morrison
Founder
Quadrant Arts Education Research
New Jersey

Scott Noppe Brandon
Executive Director
Lincoln Center Institute
New York

David O’Fallon
President
Minnesota Humanities Center

Mark Robertson
Attorney
Robertson & Williams
Oklahoma

Susan Sclafani
Director, State Services
National Center on Education and the Economy
Washington, DC

George Tzougros
Executive Director
Wisconsin Arts Board

[15 November 2010 - Creative Oklahoma For more information, contact: Kathy Oden-Hall, Creative Oklahoma, 405-203-5742, kodenhall@stateofcreativity.com]

Alice Dancing Under the Gallows - Official Trailer

Commentary: On Creativity and Food

By Todd Gabriel
Creativity + Social Change, University of Connecticut
Media Reviewed:

TED: Jamie Oliver
http://www.ted.com/talks/lang/eng/jamie_oliver.html
Read Jamie Oliver's challenge: How can we raise kids' awareness of the benefits of fresh food so they can make better choices?

Jamie Oliver explains very simply how most of the food we eat in America is nonnutritious and highly processed. His focus is on children, stating that every new generation will lose 10 years off their lives through obesity because of the bad food they eat. His mission is to raise awareness of the processed foods we eat as adults and feed our children, not only at home but in schools around the country as well as places of work. He wants to get good, local, whole foods back into our homes and schools.

Processed foods are usually made up of two products -- corn and soy beans. These crops are extremely cheap and can be grown in huge quantities in this country. Most large scale farmers in the United States produce three things -- corn, soy beans and animals that can be ground into processed meats, such as turkey (not the kind you eat at Thanksgiving) to make “turkey products” such as turkey bacon, turkey sausage, etc. The corn and soy beans can be refined to make fillers for a plethora of foods. If you look at the label of processed foods, you will find one if not both of these two ingredients in some form, such as corn syrup, corn starch, corn meal, soy protein, corn oil and hydrolyzed corn gluten, to name a few. They are added because it keeps cost down and adds a flavor of one or more of the three things that the food industry has learned we respond to -- sugar, salt and fat. We crave these things, so if they can some how get these things into the foods they sell us in a cheap way than they have succeeded. What they don’t realize or don’t care about is that it is killing us. And not only through weight gain but by using man-made products that our bodies can't metabolize properly and can lead to many unknown effects.

Jamie Oliver states three major things we can do. First, raise awareness about the foods we eat. Second, to get money and resources to the people who will help change the food environments from processed to whole foods. And third, start cooking at home. He states we lost our traditions of cooking real foods at home and passing down to next generations recipes and the know how of cooking. Children are a focus because they can change and stop the cycle before it continues.

I believe in Jamie Oliver’s cause. I personally look at food as a link in a long chain of fundamental change. If we can learn to understand the importance of sustainable, local foods and environments in our neighborhoods it will benefit us greatly in many ways. Jamie is creative in the way he took a passion for food and turned it into a way to change a country or countries for the better. He’s also creative in his execution. For example, he shows the kitchen he opened that took local, healthy food and distributed it to schools using local people. He put into action what he is speaking about. It takes many creative ideas and ways of thinking to be able to change conventional ways. Jamie is demonstrating this here with his food movement.

ART Today in New Haven - SERA Salon: Social Experiments Relational Acts

[8 October 2010 - By City Wide Open Studios 2010]
This weekend at the Alternative Space, City-Wide Open Studios hosts SERA (Social Experiments Relational Acts) Salon, examining the notion of art as service – in a vacant, fully-outfitted nail salon.

Artspace has cleaned the salon, but left its original trappings – magazines, customer autographs, nail polish tubes, manicure tables and pedicure tables – intact. From 12 pm – 5 pm on Saturday, October 9, and Sunday, October 10, visitors will be able to participate in a series of site-specific experiments, developed by various artists and organized by Ted Efremoff.

One such experiment is “IMAGICURE: an imagination exchange for creative alternatives,” developed by Steven Dahlberg. In IMAGICURE, visitors are invited to to contribute an idea about how to infuse more creativity in education.  In his statement to Artspace, Dahlberg adds that, “A salon is inherently a place of social interaction, where ideas are exchanged and community is built….This experience explores creativity in service to self and the community.”

Dahlberg focuses on applied imagination in search of creative alternatives. He is interested in how creativity improves the well-being and flourishing of those who engage in it. He directed an international creativity conference and currently heads the International Centre for Creativity and Imagination.

The project also includes the relational act, WAIT.  WAIT engages its participants through a “Take-a-Number” ticket dispenser “Take-a-Number” ticket dispenser, and other permutations of symbolic place holders, that only exist to allow access to a future experience or object.  This is a relational act intended to discover, or at least approximate what we are waiting for?   What are the philosophical existential implications of  waiting? When do we wait? What does waiting feel like?

WAIT has been developed by John O’Donnell.  O’Donnell was conceived on Halloween, born on his father’s birthday, and raised in Montana. He lives and works in Connecticut. He has exhibited at the Chelsea Art Museum, the International Print Center in New York, and the Seoul Museum of Art in Korea. John creates installations, videos, performances, prints and works on paper.

Also participating are PRAXIS, the joint project of Delia Bajo and Brainard Carey.  Among many other notable achievements and innovations, the pair have previously participated in the Whitney Biennial.

Please join us this weekend to celebrate this unique event.  Social Experiments and Relational Acts await you ...

More about SERA ...

Pilobolus on Creativity - LIVE Friday at noon EDT

Pilobolus' Itamar Kubovy on Connecting the Creative Process in the Studio and the Organization ... on Creativity in Play, 8 October 2010, 12:00 p.m. Eastern ... listen LIVE online at http://www.creativityinplay.com/ or via telephone at +1 347 826 7082. Pilobolus is an arts organization that operates with a principle of "radical democracy" - where everyone's creativity matters. Their challenge to themselves is to reflect that process in not only how they create and perform dance, but in how they run the organization itself as an organic, creative entity. We'll explore what lessons other organizations can learn from the Pilobolus experience, as well as the importance of movement in creativity. Itamar will participate in the
Creativity World Forum in Oklahoma City, November 15-17, 2010. Discover more about Pilobolus at: http://www.pilobolus.com/

ABOUT CREATIVITY IN PLAY: Exploring the importance of creativity, play and imagination across society. Hosted by Steven Dahlberg (International Centre for Creativity and Imagination) and Mary Alice Long, Ph.D. (Play=Peace). Produced by the International Centre for Creativity and Imagination, in partnership with the National Creativity Network. ... 'The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.' – Carl Jung

Making a Mental Athlete

It Doesn't Take a Genius to Win the USA Memory Championship, Just Practice ... Can you memorize the names and faces of 99 people you've never met before? Or, how about memorizing an entire deck of cards? These are just two of the challenges confronting competitors at the annual USA Memory Championship. Tips on improving your memory from kids competing to be memory champs.The competitors are no smarter than you. But they are athletes -- "mental athletes" -- and 42 of them, ranging in age from 12 to 53, participated in the 10th annual memory competition held last weekend in New York City. [16 March 2007 - 20/20 - More]

Commentary: On Creativity and the Brain

By Renee George
Creativity + Social Change, University of Connecticut
Media Reviewed:

TED - February 2008: Jill Bolte Taylor's Stroke of Insight
Jill Bolte Taylor got a research opportunity few brain scientists would wish for: She had a massive stroke, and watched as her brain functions -- motion, speech, self-awareness -- shut down one by one. An astonishing story. Brain researcher Jill Bolte Taylor studied her own stroke as it happened -- and has become a powerful voice for brain recovery.

Jill Bolte Taylor is an neuroanatomist who suffered a stroke. She experienced herself having the stroke for more than four hours. She studied herself from the inside out. It took eight years for her to have a full recovery. She wrote a book about her experience and has appeared on several talk shows to tell about her story. I found it very moving. I never realized that the left and right sides of our brain store completely separate information. The right side of the brain is where we make our dreams into reality. We decide what we want and we make it happen. Our thoughts turn into energy and we send that energy out into the universe. The universe gives back to us what are thoughts put out. Our cells communicate with one another and with chemicals in the brain. This is how we process information. The right side of the brain is where we are right now. In the present moment. Jill explains that we are energy beings all connected together. I can relate to this because when I dream of something or I put a lot of thought into something, it manifests. It is the energy carried in the thoughts that I put out and the universe gives me what I ask for. This makes perfect sense to me. The right side of the brain is where everything is peaceful and right and beautiful. It is the side where we have the power to choose. We can choose to be whole beings. We can choose to believe that we are all perfect just the way we are. We can choose to get along with one another and let go of our perceptions and judgments. We are at peace with ourselves and with everyone else.

The left side of the brain is very different. This is the side that lives in the past and lives in the future. This is the side where we catergorize and add details. This is the side where we attach memories, sounds and sights to. This is the side that we build on from when we are children. Every experience is a memory and a story and we file it away. The story reoccurs over and over. Everytime an applie pie is baked a certain memory from childhood may pop up. Everytime we hear a certain song or movie we may recollect a memory or an experience. This can be positive or negative depending on the experience. If there is a tragedy in our past and we don’t deal with it, it will haunt us because our left brain does not forget. If someone hurts us, our left brain tells us not to trust that person. We hold on to that. We can’t let it go. Our left brain won’t let it go. This is how tension and resentment starts. We are not able to let go and this is what Jill talks about. We fill our left brain with BAGGAGE. That baggage gets in the way of us being who and and what we want to be. This is is how we become single, solid and separate from the rest of the world. We are not unified. We are out for ourselves alone. The left side of the brain thinks in language. It affects our relationships. It prevents us from connecting and experiencing joy. It holds on to grudges and stories. It does not let us progress as human beings because our minds are always going with chatter and we listen to it and it controls us. It tells us what to do and how to react. It tells us how to respond and how to feel. It is full of interpretations. I feel it can be our enemy if we let it control us.

I was moved by the closing of this video. Jill shared that we can be loving, beautiful, compassionate people who choose to step to the right of our left hemispheres. She talks about taking back our power and how we are the lifeforce of the universe. We can choose how we want to be in the world. We can let go of the chatter in our minds and just be. We can be that GIANT person where we feel on top of the world and nothing affects us. I found it to be liberating. I found it to be refreshing. I found it to be inspirational and motivating. We don’t know how long we have on this earth. Why are we spending so much energy on things that don’t really mean that much in the scheme of things. We are cells! We are dust living in an orbit in space. Most of what we complain about does not really matter. Do we really need to put so much time into fighting a war and guns and killing? When you put things into perspective, the small stuff seems so trivial to me. This video has helped me realize that if I can let go of the thoughts in my left brain and add to the thoughts in my right brain, I will experience nirvana.

Commentary: On Creative Decisions

By Simone Maxwell
Creativity + Social Change, University of Connecticut
Media Reviewed:

Exploding Creativity Episode 4 - September 9, 2008: Decision Making and Creativity (click to listen to audio podcast)
You can and will use creativity in decision making, and you will make decisions in your creative pursuits, and depending how you look at it, creativity and decision making look a lot alike.

Who would believe that when you make an intuitive decision it is actually based on creativity? After the decision is made, we often exhaust our brain power, worrying about the consequences for the action we just completed. Not once did I believe that creativity and decision making were interlinked.

According to Bob Sharp on http://explodingcreativity.com/, decision making based on intuition is not irrational, it is creative. So all of us are creative, since at one point or another, a decision was made based only on that knee-jerk feeling we had. Decisions that based on the first thought that enter our brains are actually made because of our life experiences. In the moment the decision is made, we are actually being creative. "Decision" is defined by E. Frank Harrison as a “moment of choice; an ongoing process of evaluation of alternatives with a view to selecting one or some combination of them to obtain the desired end.” I love this definition. It makes me feel like a decision is an accomplishment. Did you know that not making a decision is a decision? I knew this, of course, but actually hearing someone else say it is another thing completely.

It was a complete eye opener to learn that a group decision can be more creative and somewhat easier than when a decision is made alone. I am not sure I agree with this idea. Being the master of my own destiny is easier to manage with me, my decision, and my consequences. Making a choice in a group can have its benefits, however. If all goes wrong, there is someone to share the blame with.

Decisions as a creative process have actually changed my outlook on the whole scenario. I will now take pride in the decision-making process. It is amazing to me that we do something that just comes naturally to us without thinking of the steps we actually take. So today I learned that creativity, decisions and intuition all go hand in hand. It is something that I am happy to say I learned and happy to acknowledge I do daily.

E. Frank Harrison also came up with a decision making process that I am going to place the flow chart below. You can tell me if you agree or not. I am still working my way through them.

Testing Hope - Grade 12 in the New South Africa

The South African government struggles to remedy inequity and substandard education. Minimize ... DOCUMENTARY: Testing Hope - Grade 12 in the New South Africa ... The South African government has been struggling to remedy years of inequity, particularly regarding substandard education. Testing Hope - Grade 12 in the New South Africa chronicles the lives of young people facing their future in the evolving democracy of South Africa. The film follows four students as they work towards their crucial Matric exams which one student calls the decider. [September 2010 - Colorado Public Television - Find out more about "Testing Hope"]

Watch the full episode. See more RMPBS Specials.